BTW, sick set-up!

DJPhatman wrote:Wi, try turning your THT's around, with the mouths firing into the corner of the room. I believe you will hear and feel a difference.
though, with four of them in a room that small I'm sure you didn't notice.If there is a 'prime directive' when it comes to sub placement it is this: Never place subs with their radiating planes between 2.5 feet and 8 feet of a boundary.
X3. I DEFINITELY hear and feel a difference in my THT having them firing into a wall. In my room, 9.5" from wall seems to be ideal. YMMV.DJPhatman wrote:Wi, try turning your THT's around, with the mouths firing into the corner of the room. I believe you will hear and feel a difference.
Can I say 'I told you so'WiSounds wrote:The one downside was that they couldn't hear themselves as well as they would like.
Glad to see that my suggestion of using separate speakers for Tracks & Vocals worked out for you.WiSounds wrote:In the audience, the MCs were spot on. The bottom one had the highs.
Considering the benefits of boundary loading, all of my subs will now have speakons on the horn mouth side as well as the back. I did it first with my T18's and I'll never go back. It makes cornerloading so much easier and less worrisome.WiSounds wrote: I could fire the subs against the wall, but I was worried about people banging up the speakons. It probably would be worth the extra cpl of db sensitivity if I flipped them around. I may try it at the next show if it happens.
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