Interesting point. I don't put any of it into the monitors, so no problem there. Haven't ever had it feedback on the mains. I also send all the vocals to a sub (along with the mains) and do the same thing. Not as much compression - but it's my little extra boost when I can't get the vocals over the mix. Don't usually have to use it, but it's handy when needed on those really loud songs.BrentEvans wrote:This works for lots of things. It's particularly popular for vocals... again the sound is "fattened up" but amplitude doesn't rise too much. The only thing you have to be careful of is feedback, as you're raising gain without increasing volume.Bruce Weldy wrote:Here's a trick I use when running sound for rock bands.....
I send all the drums to the mains as usual, but I also select a sub group and send them there too. I then compress the hell out of the sub group - 8 to 1. The sub group is directed to the main output.
When there is a drum fill or an intro like Highway to Hell, I slam the sub fader up - the drums don't just get louder, they get fatter. It's not the same at all as just putting the drums on a sub group and turning them up. I can bring it up quickly then take it right back out. It really adds dynamics and is easy to do.
The fader stays all the way down until I need it - then hammer it - and back out.
Try it.
Oh, and this is really easy to do on the digital mixers......giant pain in the butt trying this on and old analog board.....and a rack full of outboard gear.