Bryan Cox wrote: ↑Thu Mar 12, 2020 1:59 pm...SLA Pros (made to look like old Peavey SP2s).
They look more like some old Shure Vocal Master cabs. Those dinosaurs weighed a ton. Had the mixer, too. The SLA's are like a Formula 1 car to those Ford Pintos. I'm gonna go pay tribute to my Yoda shrine now.
That guy playing the Strat creeps me out. If someone stood that close staring at me while I play, I'd have to pop him in the nose. I get it's supposed to be A Star Is Born ripoff but the production value looks surprisingly good.
Bryan Cox wrote: ↑Thu Mar 12, 2020 1:59 pm...SLA Pros (made to look like old Peavey SP2s).
They look more like some old Shure Vocal Master cabs. Those dinosaurs weighed a ton. Had the mixer, too. The SLA's are like a Formula 1 car to those Ford Pintos. I'm gonna go pay tribute to my Yoda shrine now.
That guy playing the Strat creeps me out. If someone stood that close staring at me while I play, I'd have to pop him in the nose. I get it's supposed to be A Star Is Born ripoff but the production value looks surprisingly good.
Couldn't agree more. Haven't seen the Shure cabs but the gray strips on the sides screamed SP2 to me.
Otop 12 x 4 (Delta Pro 12-450a) 2x melded, 2x straight
Titan 39 x 4 (3012LF) 20" wide
The old Peavy looking things really are old Peavy cabs. 4×10 if I remember right. (They belong to one of the band members) - would have loved to use some DRs but didn't have any on hand at the time of shooting.
Although there is a pair if SLA Pros featured elsewhere in the movie.
Seth got the hard ones, Jack light 10 and a couple Wedge 8's
Then there was 2 T48s and a simplex 2×12
Thanks for playing guys!
Authorized Builder - Phoenix AZ.
Main Rig - 6 DR200s - 6 T48s (30")
SLA Pros for the smaller stuff.
"A system with a few knobs set up by someone who knows what they are doing is always better than one with a lot of knobs set up by someone who doesn't."
I never saw any Shure Vocalmaster in any color other than gray. Those are definitely Peavey, but not SP2, which was a smaller box with a 15 and a horn.
"A system with a few knobs set up by someone who knows what they are doing is always better than one with a lot of knobs set up by someone who doesn't."
Vocalmasters were distinct in that they were a 4x8 plus 2x10, and they had aluminum slider bars on their sides. The wiring was bizarre, with the four 8 ohm eights in series, the two 16 ohm tens in series, those banks wired parallel for a 16 ohm load, with no crossover. That made a pair in parallel an 8 ohm load for the powered mixer.
From a load standpoint it made sense, but eights and tens in parallel and sharing the same air space didn't. But they were pre-Thiele/Small, so they were no worse than most of what existed then.
That's really interesting about the Vocal masters!
I Just remembered, I actually played an electric Bass guitar through an old Peavy 4×10 just like those for a semester back in high school with the pep band.
I don't remember it being completely terrible, (it was actually better than the old peavy 15 the school also owned) but there was a reason I quickly jumped to a Jack 15 and never looked back!
Authorized Builder - Phoenix AZ.
Main Rig - 6 DR200s - 6 T48s (30")
SLA Pros for the smaller stuff.
Hopefully no BFM cabs in the fire pit. Also any tweeters in those old Peaveys (or a co-axial working with 3 similar mid-basses)?
I couldn't see exactly what stage monitors but definitely some T39/48 on sub duty and a Simplexx bass rig of some sort.