Bill Fitzmaurice wrote:It mostly has to do with the small room, where a lot of what's heard is reflections. The way to test them is outdoors, recording both with the mic 30 degrees off-axis. That's where the differences will be most obvious.
Hadn't thought about the size of the room. But, it's too late now. I'm not going to pull the speakers and mount them back in the old cab to get new samples outside.
I was mostly hoping to simply capture the overall tonal difference of the 2 cabs and their response on and off axis. I could be wrong, but I think that is what most players want to know when making a decision.
Let me just say, for those considering this cab, the overall sound in the room was much fuller. It was as if I was pumping it though the PA (which we do even during practice). We're practicing Tuesday, so I'll have more to report then.
I think the video shows that the tonal difference is much less of a change with the FX than the traditional cab when moving from off center. Plus, to me the FX has a much clearer/cleaner sound of all the notes. It is not as harsh sounding as the traditional cab. I noticed that the effects are more defined (reverb, delay, chorus) with the FX. The difference was similar to what I heard when I went from having them at the end of the pedal chain through the front of the amp to via the effects loop.
Overall, it was a much more pleasing sound from the FX. I did not do it for the video because I wanted the setting not to have changed between cabs, but after I got the samples, I played with my distortion pedals and was able to take them down a bit to get what I wanted.
Next up, is using the V4 head with it. It's in great, like new condition guts wise and they have great clean tones.
I'll eventually have some video of the FX cab with the band when we play out. That will give a more performance comparison to videos of the band with the old cab. Though it will still not be purely the cabs as both will be through the PA.