Hey,
I'm figuring this amp should put out right at 40 V max. The 3012LF's in my Tubas will take 50 V, but I wasn't planning to run much past 40 V anyway. Any problem with that logic?...comments? Just not sure how headroom fits into this picture.
http://www.behringer.com/EN/Products/EPQ900.aspx
Behringer EPQ 900
Behringer EPQ 900
Donny Collins
Built:
Two 18" Tuba 30's 3012 LF
Two 26" Tuba 30's Lab 12
Two OmniTop 12's DL 2512 (Melded Array)
Presonus Studio One DAW
Harrison Consoles MixBus 32C DAW
Built:
Two 18" Tuba 30's 3012 LF
Two 26" Tuba 30's Lab 12
Two OmniTop 12's DL 2512 (Melded Array)
Presonus Studio One DAW
Harrison Consoles MixBus 32C DAW
-
- Posts: 8539
- Joined: Fri Nov 27, 2009 11:37 am
- Location: New Braunfels, TX
Re: Behringer EPQ 900
If you put one per side, you get 44 volts each. If you put them both on one channel, you get 39 volts.
6 - T39 3012LF
4 - OT12 2512
1 - T24
1 - SLA Pro
2 - XF210
"A system with a few knobs set up by someone who knows what they are doing is always better than one with a lot of knobs set up by someone who doesn't."
Re: Behringer EPQ 900
I've kept an eye on those for quite a while, as it looked like a nice addition to a compact bass guitar rig. But it's been a year since they were first announced (as EPQ1000 initially), they were "coming soon" all the time and are still not available. At least not where I live (continental Europe). I've given up on this model. Is it actually available now or just listed in web shops?
There is a forum member using EPQ1200 or EPQ2000, which are 2u height as opposed to 1u for the 900. IIRC he was quite happy with the amp.
There is a forum member using EPQ1200 or EPQ2000, which are 2u height as opposed to 1u for the 900. IIRC he was quite happy with the amp.
Re: Behringer EPQ 900
Right now I'd run one 3012LF per side, so that would be fine, then when I'm able to build two more T30's, I'd be running 4 ohms per side, again at 39. From hearing my two in the 25-30 v range, I'm thinking that would be fine. I certainly like the idea of the weight and size and lack of all the DSP on lots of amps now. If for some reason I didn't like it on subs I could always move it to tops, but it seems lik it would be OK.Bruce Weldy wrote:If you put one per side, you get 44 volts each. If you put them both on one channel, you get 39 volts.
Donny Collins
Built:
Two 18" Tuba 30's 3012 LF
Two 26" Tuba 30's Lab 12
Two OmniTop 12's DL 2512 (Melded Array)
Presonus Studio One DAW
Harrison Consoles MixBus 32C DAW
Built:
Two 18" Tuba 30's 3012 LF
Two 26" Tuba 30's Lab 12
Two OmniTop 12's DL 2512 (Melded Array)
Presonus Studio One DAW
Harrison Consoles MixBus 32C DAW
- Chris_Allen
- Posts: 3358
- Joined: Wed Jul 11, 2007 2:43 pm
- Location: Huddersfield, UK
Re: Behringer EPQ 900
I quote:
"It takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That’s called Transient Response and it’s the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound"
"It takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That’s called Transient Response and it’s the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound"
Built:
6xDR200, 2xT39, 2xT48, 2xJack110, 1xOmni10.5, 1xAutotuba, 1xT18, 1xSLA Pro, 1xW8, 1xW10
6xDR200, 2xT39, 2xT48, 2xJack110, 1xOmni10.5, 1xAutotuba, 1xT18, 1xSLA Pro, 1xW8, 1xW10
Re: Behringer EPQ 900
and...am I missing something?...Chris_Allen wrote:I quote:
"It takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That’s called Transient Response and it’s the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound"
Donny Collins
Built:
Two 18" Tuba 30's 3012 LF
Two 26" Tuba 30's Lab 12
Two OmniTop 12's DL 2512 (Melded Array)
Presonus Studio One DAW
Harrison Consoles MixBus 32C DAW
Built:
Two 18" Tuba 30's 3012 LF
Two 26" Tuba 30's Lab 12
Two OmniTop 12's DL 2512 (Melded Array)
Presonus Studio One DAW
Harrison Consoles MixBus 32C DAW
Re: Behringer EPQ 900
Since you already have the tubas and already have an amp that can put out more voltage that the one you're considering, just run simple tests to see if you will be ok with the power they put out.
However, do consider that while the max an amp can put out, music material is not pure sine waves and the average volts will be much lower. For example, take my amps which one of them can do 42volts all day, but even like this, I do not like it on my bp102's and really only use it for my jacks. It can do 20votls on average with peaks and after that, it begins clipping.
However, do consider that while the max an amp can put out, music material is not pure sine waves and the average volts will be much lower. For example, take my amps which one of them can do 42volts all day, but even like this, I do not like it on my bp102's and really only use it for my jacks. It can do 20votls on average with peaks and after that, it begins clipping.
Built:6 t39, t18, 4 Jack10, 2 autotuba, 2 SLA,2 wedge, 2 TT, 2 Tritrix, curved sla, 2 otop212, 2 SLA pros, Ported 8" sub, 2 ported 210, dual ported 8" sub
Re: Behringer EPQ 900
I don't know... It's marketing-speak on the Behringer EPQ web pages.doncolga wrote:and...am I missing something?...Chris_Allen wrote:I quote:
"It takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That’s called Transient Response and it’s the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound"
I'm surprised that the EPQ900 does have RCA inputs like the EPQ1200.
- Bill Fitzmaurice
- Site Admin
- Posts: 28916
- Joined: Tue May 02, 2006 5:59 pm
Re: Behringer EPQ 900
Transient response is meaningless where subs are concerned. What counts is the stiffness of the power supply, and that's where inexpensive lightweight amps tend to fall short. At the lower end of the pricing scale heavy iron still works best for subs.doncolga wrote:and...am I missing something?...Chris_Allen wrote:I quote:
"It takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That’s called Transient Response and it’s the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound"