Sound gone bad (or why they should listen to me)

Anything not covered elsewhere.
Message
Author
dheafey
Posts: 216
Joined: Mon Jan 07, 2008 10:40 pm
Location: Tewksbury, MA

Sound gone bad (or why they should listen to me)

#1 Post by dheafey »

So, my daughter's High School dance team recital was last night. The drama director, whom I'd built a set of Jack 12's for, had repeatedly offered his BF cabs, and the accompanying plate amp, to the dance team for their use. They said they had it under control. Apparently not.

The audience and myself were greeted with barely listenable "powered Yamaha's on a stick". Now, in a low volume application, I suppose these are ok. You know, a dance at a nursing home or something. :lol: But to fill an auditorium with decent sound, not so much.

We would've been ok if the dance team coach hadn't cranked the things to distortion. Oh, and did I mention they went thermal - twice - in the middle of 2 dances? Of course, it created one of the better moments of the show: NO music to cringe at and 100 high school kids singing the words to the song so the dancers could continue. Very cool.

Walking out of the auditorium, there's a tap on my shoulder and the drama director says, "I tried. I'm able to hear your cabs, crystal clear, down the hallway. They should've listened to me." At $900 USD for 2 "Yamaha noise boxes on a stick", a pair of Jack 12's, PLUS full range plate amp, come in at $300 less and they smoke 'em.

It's good to be right. :D
T39 - Dual BP102 23"
AutoTuba
J12 x 2 - Deltalite 2512
O12 - Dual BP102

Sydney

Re: Sound gone bad (or why they should listen to me)

#2 Post by Sydney »

How old is the auditorium?
Public Schools have layers of purchasing procedures that are designed for accountability, and verification all along layers of bureaucracy. Merchandise purchases often have to be verified and approved.
That demand for accounting and to prevent fraud strongly favors commercial solutions.
So often hands are tied so to speak.

Smaller schools are more flexible and some bid for contract services.
Independent schools are much more open and willing to listen to individual contractors.
They are often looking for technical advise; that's an opening for better ideas and implementations.

Syd

dheafey
Posts: 216
Joined: Mon Jan 07, 2008 10:40 pm
Location: Tewksbury, MA

Re: Sound gone bad (or why they should listen to me)

#3 Post by dheafey »

Sydney wrote:How old is the auditorium?
Public Schools have layers of purchasing procedures that are designed for accountability, and verification all along layers of bureaucracy. Merchandise purchases often have to be verified and approved.
That demand for accounting and to prevent fraud strongly favors commercial solutions.
So often hands are tied so to speak.

Smaller schools are more flexible and some bid for contract services.
Independent schools are much more open and willing to listen to individual contractors.
They are often looking for technical advise; that's an opening for better ideas and implementations.

Syd
The auditorium is VERY old, like 40 years. They actually have NO sound equipment in the space and have to bring in whatever they need from parent volunteers. A new high school has been approved by the town and, when I ask if they need someone to help audit the new theater configuration, I'm told, "The consultant is taking care of it." This falls in line with what you're saying. Commercial solutions. :( I had dreams of making sawdust for some T39/T48 and OT12/DR250 for the new space.
T39 - Dual BP102 23"
AutoTuba
J12 x 2 - Deltalite 2512
O12 - Dual BP102

sine143
Posts: 3066
Joined: Sat Feb 06, 2010 3:27 pm
Location: Raleigh NC

Re: Sound gone bad (or why they should listen to me)

#4 Post by sine143 »

Hmm, I know you stated it in your other thread (cant remember the name), but what plate amp did you use for the jacks?
Built:
2x Tuba 30s delta12lf loaded (gone)
4x Otop12 d2512 loaded
8x t48s (18, 18, 24, 24, 30, 30) 3015lf loaded
2x AT (1 mcm, 1 gto 804)
2x SLA Pro (dayton pa6, 6 goldwood piezo loaded)
1x bastard XF208

2x OT212 (delta pro 450a loaded, eminence psd)

Ron K
Posts: 1569
Joined: Sun Jun 17, 2007 12:08 pm
Location: North East Pa.
Contact:

Re: Sound gone bad (or why they should listen to me)

#5 Post by Ron K »

dheafey wrote:
Sydney wrote:How old is the auditorium?
Public Schools have layers of purchasing procedures that are designed for accountability, and verification all along layers of bureaucracy. Merchandise purchases often have to be verified and approved.
That demand for accounting and to prevent fraud strongly favors commercial solutions.
So often hands are tied so to speak.

Smaller schools are more flexible and some bid for contract services.
Independent schools are much more open and willing to listen to individual contractors.
They are often looking for technical advise; that's an opening for better ideas and implementations.

Syd
The auditorium is VERY old, like 40 years. They actually have NO sound equipment in the space and have to bring in whatever they need from parent volunteers. A new high school has been approved by the town and, when I ask if they need someone to help audit the new theater configuration, I'm told, "The consultant is taking care of it." This falls in line with what you're saying. Commercial solutions. :( I had dreams of making sawdust for some T39/T48 and OT12/DR250 for the new space.
It's unfortunate that most public institutions must follow purchasing and engineering guidelines set forth by the state.Most of those rules and regulations are in place to protect the school district,state and student body and faculty. Most times the contracts are bid but the originator of the engineering data is usually the one securing the end contract as well.Basically it becomes an old fashioned hand washing deal but it's done behind a legal looking facade.Not every district is the same but the ones I've bid in here in PA are for the most part.

On another note offering up SR for recitals and such can often be viewed by the director or person who is supplying the PA (for lack of a better term) as a criticism. When you say hey I can provide sound for your event they are thinking "whats wrong with mine???" It can be tricky territory.I offer up my PA once for a model airplane flying event for a club I belonged to. Little did I know a guy who does just that at a bunch of these was previously invited and he assumed he was providing PA support. I show up and set up and about an hour later he arrives and asks where he can plug in?? I'm like who are you and he states hes the PA support for the event.As you can imagine the day was a big clusterf""" and i did my best to accommodate this fellow without hurting his feelings.I let him MC the entire event on my rig. He constantly made attempts to produce feedback by walking in front of the distributed speakers on sticks by was getting frustrated when the system stayed true. He even one removed his wireless Lavilere mic and tried shoving into the speakers horn. Fortunately I saw him and pulled the mic channel and from then on he called me the guy with the magic amplifier! I kept my cool but when the event ended I took him aside and offered to show him the inside of his asshole first hand. He said I stole his "work" (was a free bee and would have been for him as well) and I replied: I offered and they accepted. You were unofficially invited by someone who really didn't have the authority to do so but we didn't want to appear rude. We accommodated you as best we could but with your attitude and actions you certainly will never be invited back. To date the event is an annual thing and we provided the first 6 years. I soon after gave that event to a friend of mine and he passed it on last year.Mr. MC was never invited and subsequently died a few years later from too many jelly donuts!

Point is be very careful how you offer up your services or gear.If it's already being done you "are" stepping on someones toes even if it sounds horrible!
Ever since I replaced sex with food I cant even get into my own pants!

dheafey
Posts: 216
Joined: Mon Jan 07, 2008 10:40 pm
Location: Tewksbury, MA

Re: Sound gone bad (or why they should listen to me)

#6 Post by dheafey »

sine143 wrote:Hmm, I know you stated it in your other thread (cant remember the name), but what plate amp did you use for the jacks?
Here ya go.
T39 - Dual BP102 23"
AutoTuba
J12 x 2 - Deltalite 2512
O12 - Dual BP102

dheafey
Posts: 216
Joined: Mon Jan 07, 2008 10:40 pm
Location: Tewksbury, MA

Re: Sound gone bad (or why they should listen to me)

#7 Post by dheafey »

Ron K wrote: Point is be very careful how you offer up your services or gear.If it's already being done you "are" stepping on someones toes even if it sounds horrible!
I think this is sage advice and exactly what happened. My co-captain daughter, a junior, offered up the system I built for the drama club but the captains, both seniors, had already "taken care of it". The bummer is I would've done it for free with a system that smoked the for hire one. Who knows what the politics were behind that one. Probably something I want to stay away from anyway.
T39 - Dual BP102 23"
AutoTuba
J12 x 2 - Deltalite 2512
O12 - Dual BP102

Ron K
Posts: 1569
Joined: Sun Jun 17, 2007 12:08 pm
Location: North East Pa.
Contact:

Re: Sound gone bad (or why they should listen to me)

#8 Post by Ron K »

Yeah it suks when your intentions are honorable and viewed as hostile just because someone cant deal with their dam ego.
Ever since I replaced sex with food I cant even get into my own pants!

Sydney

Re: Sound gone bad (or why they should listen to me)

#9 Post by Sydney »

Ego in Audio?
( Say it Ain't So! Joe! )
The problem with humanity are the people involved :wink: :conf:
:lol:
Syd

sine143
Posts: 3066
Joined: Sat Feb 06, 2010 3:27 pm
Location: Raleigh NC

Re: Sound gone bad (or why they should listen to me)

#10 Post by sine143 »

Sydney wrote: The problem with humanity are the people involved :wink: :conf:
Syd
The earth would be a better place without us. Perfect and Pristine, like a toy no one ever played with...
Built:
2x Tuba 30s delta12lf loaded (gone)
4x Otop12 d2512 loaded
8x t48s (18, 18, 24, 24, 30, 30) 3015lf loaded
2x AT (1 mcm, 1 gto 804)
2x SLA Pro (dayton pa6, 6 goldwood piezo loaded)
1x bastard XF208

2x OT212 (delta pro 450a loaded, eminence psd)

WB
Posts: 1745
Joined: Sat May 13, 2006 3:06 pm
Location: Ontario. Yours To Discover

Re: Sound gone bad (or why they should listen to me)

#11 Post by WB »

sine143 wrote:Perfect and Pristine,
It was before the fall.
Tomorrow I'm going to stop procrastinating - WB

User avatar
Tom Smit
Posts: 7566
Joined: Sat Jan 05, 2008 1:24 pm
Location: Sarnia, Ont. Canada

Re: Sound gone bad (or why they should listen to me)

#12 Post by Tom Smit »

And the new one will be even better.
TomS

User avatar
SoundInMotionDJ
Posts: 1750
Joined: Thu Mar 15, 2007 1:31 pm
Location: DFW, Texas
Contact:

Re: Sound gone bad (or why they should listen to me)

#13 Post by SoundInMotionDJ »

Sydney wrote: That demand for accounting and to prevent fraud strongly favors commercial solutions.
No one ever got fired for going with IBM...
10 T39S + 10 DR200 + 1 T48

Bruce Weldy
Posts: 8539
Joined: Fri Nov 27, 2009 11:37 am
Location: New Braunfels, TX

Re: Sound gone bad (or why they should listen to me)

#14 Post by Bruce Weldy »

I had read this thread.....then sure enough, I had my own "school" experience. One of the singers in the Praise band that I run sound for is also a middle school teacher. They were getting ready to have a talent show a couple of nights ago and he needed some help. I ran by the school and found:

- the mixer outputs plugged into the powered speaker's "mic" inputs instead of the line inputs
- every fader on the 9 band EQ on the mixer was pushed all the way up!
- master level was barely up
- channel faders were barely cracked open, but the gains were cranked
- mains were on sticks as high as they would go - on top of a 4 foot stage.

It was a mess. It took only about 10 minutes to fix all the above. The guy was ecstatic.

Saw him last night....as the show was about to begin, the guy who had left the system in the shape it was in came up and started to "adjust" the board. The teacher ran him off and they went on to have a great show and he was raving about the sound in that old gym.

Bottom line - this isn't rocket science. I would be more than happy (as I'm sure most of us would) to help schools set up their systems (even when the components are crap you can still make a difference), if they would just get the designated sound guy to drop the ego and be willing to learn.

6 - T39 3012LF
4 - OT12 2512
1 - T24
1 - SLA Pro
2 - XF210


"A system with a few knobs set up by someone who knows what they are doing is always better than one with a lot of knobs set up by someone who doesn't."

User avatar
Radian
Posts: 2032
Joined: Tue Jul 29, 2008 12:56 pm
Location: Tucson, AZ

Re: Sound gone bad (or why they should listen to me)

#15 Post by Radian »

A significant portion of the population is born with ears. Not many learn how to use them to their fullest potential.

http://www.youtube.com/watch?v=3Px-aPnk ... re=related
Good food, good people, good times.

4 - AT
1 - TT
1 - THT Slim
2 - SLA Pro 4x6 Alphalite

Post Reply