Re: 8*T30 30" dual 12" european
Posted: Tue Apr 07, 2026 6:50 am
Looks great! I can see that the second cab is coming together much more quickly. It's going to be insane with 8 of those!
Loudspeaker Design
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This coul make obstacles more rollable, good idea thank you. Will keep that in min when thinking about how to strap all down, to be able to unstrap just the top pair. Thx.Bruce Weldy wrote: ↑Thu Apr 09, 2026 8:09 am Design it so that you can stack 4 if the going is easy, but only stack two if there are steps and make two trips.
I don't think i will get that all-terrain-capability, grass is carry floor not rolling. But pulling could be handy in a lot of situations, will keep an eye on that as well thank you. Wheels will be the bluewheels like on flightcases, not that furniture casters.
I will start there and try around what results from this if 8 cabs start playing along. Thank you for that input :)Tom Smit wrote: ↑Tue Apr 14, 2026 9:43 pm I would use the AES number, and drop the voltage by 5v. There would not be much difference in output by using a bit less, but you would save the drivers from over extention. You gain more SPL by adding cabs than you would by cranking up the last bit of amp power.
Using a dbx DriveRack or equivalent outboard DSP with a true Brick Wall limiter, set the limit per the plans, based on driver Xmax, not the driver's power ratings. Since most DSP's limiters are adjusted in incriments of 0.1 or 0.5dB, you may not be able to dial inexactly 107.5V. Use the closest voltage to that figure you're able to manage, that's not more than that figure.Marflinger wrote: ↑Sat Apr 11, 2026 11:52 am So i am supposed to limit it to the 400w rating, which is somewhat close to the xmax-derivation, somewhere between 107 and 113V?
The voltage limits and high pass filter settings in the plans are there to keep you from damaging the driver from over excursion and are considered strictly mandatory for horn subs. The driver power ratings are thermal limits, to keep you from melting the voice coils. Always limit to whichever is less and you'll be in safe territory. In this case and pretty much any other case I can recall, the limits in the plans are the figure you want to use.I just want to avoid blowing everything up...
Alright, i will go from there. This somewhat equals the AES-Rating pretty close, so you both direct me to the same values.
Alrightr, so driver protection it is. Thank you for clarifying that, i just started to be unsure about this.
This is just the input gain, i will match that to the other amp for the top to get all amps to a close level of load when running everything to the desired level.
On principle, I agree.Marflinger wrote: ↑Wed Apr 15, 2026 1:25 am ...But to rely on i trust the amp the most, it limits the output no matter what i configure in the signal chain before...
Not all limiters act the same, but they all limit voltage... just at different times, rates, durations and under different conditions.Marflinger wrote: ↑Wed Apr 15, 2026 10:12 pm In my understandimg, voltage limiting should be as brick as it gets?
I'm sure it's what you meant, but I'm going to clarify this for the casual reader... Voltage and Current are related, but are two different things. Limiters attenuate the signal at the set value so the voltage does not increase beyond that value. Current isn't controlled in any way other than as a side effect of the voltage being limited.The current delivered to the output is just cut at a given value, in this case at 140v peak? So no higher current will be brought to my precious drivers...?
You essentially got it right. You'll measure voltage output (not current) with the speakers disconnected and reduce the limiter threshold until the voltage is either at or slightly below 107V. There's a little more to it. We can go over the whole process when you're ready.The driverack (dbx) limiter limits the signal that goes to the input, i would measure the current the amp produces when fully open and set the limiter to the point where full amp delivers the desired current outwards...or?
My numbers were off earlier, Unity gain in pro audio equipment is 1.228 volts, not 1.45 or 1.55.