lalexb wrote:
Next step, install a melded array in the OTop, for use as party/PA stuff. I don't think I need that for bass, but I might change my mind once I have it.
OK, it's been done and I love it!!!
(
Bigger Pic)
The plans call for a 4 piezo array for bass guitar use, I thought it wouldn't hurt to put 8 of them instead, if I could still come up with a clever wiring to only use half of them. The cleverness is yet to come but I really enjoyed the sound of it. Now, when just running the iPod through the rig, the songs really come to live with the tweeters for something really clear and natural sounding, yet very loud. To the point I can't imagine yet pushing the master past 70% on the old 200W amp. That's stupidly loud! Maybe outside it'll be different. I guess the P.A. guys can crank the volume while staying well away from the speakers, but in my case, that's those SPL straight in the face! So it'll definitely a very good option for parties or events, even if it's plain mono.
As for what it's been built for, bass guitar, wow, I got quite impressed by the effect of the tweeters, there's still plenty of zing coming out of those strings and it just opens another dimension of sounds. Even just a bit of that dialed in makes the bass sing nicely. I just have to control it through the EQ and remove quite a bit of treble on the amp to be in some kind of flat position tone wise. By that I mean that from the bass EQ set flat I can boost or cut low, mids or highs and it is very responsive and very noticeable change in every direction. On my previous cabs, a ported JBL 15", then a sealed 2x12" containing those Kappa Pro, I had to be really extreme with my on board EQ. When I wanted treble I had to turn them fully on the bass. When I wanted noticeably more bass, I had to be bold with my EQ. Now, I can have a lot more variation because the cabs respond so well to small changes. I have to learn the great art of subtlety! Subtlety in the playing also takes a complete new meaning. Let the fingers do the sound, they say!!!
I was just not initially thrilled with the sound produced by the tweeters when I stomped on the old MetalZone, but once I removed quite a bit of the highs at the pedal, it sounded all sweet (as I wanted it to sound, I mean. No sweetness in that thing!)
Overall I'm super stoked with all of that, there's some work required to control my tone a bit more, and find the sweet spot within the vast possible sounds, but I have a really nice performing piece of kit on which the StingRay will feel at home! Time to improve my playing now, but it's really rewarding to really hear every nuance of what you play. Sounds stupid but that was where I was before this whole BFM cab buiding experience.

!
One advice: Follow the plans! When Bill suggests to use some wax paper on the melded array gig, don't replace it with a sheet of cardboard... Or if you do at least take a black one, not a red one...
