djohnson573: I don't know how much experience you have had in equalizing a system and a room:
So I preface my suggestion with that:
There are satisfied users of Behringer products, but when I see:
although some people have had reliability issues.
I have to weigh the question: Does the possibility of failure during a paying performance ( where your rep is on the line ), outweigh the inexpensive solution.
The last thing I want is gear failure at show time.
Sorry to say it, but virtually every piece of Behringer gear ( I've seen used by others and myself ) starts to show the results of being constructed with inexpensive mechanical parts.
My CX2310 for instance ( which has never been hauled and banged around ) has started developing problems indicative of switch failures after 2 years. Other Behringer gear ( owned by friends ) frankly aren't as robust as their ( more expensive ) competition.
Not to be a Ludite: I think you can do what you need to do with the appropriate use of a 1/3 octave graphic eq.
Peavy makes a model with red LED's on each slider that indicate strength at that band, that I find very intuitive and easy to use in live subdued light environment.
Since many times I run the gear that already at the venue: I see the choices ( for better or worse ) made in equipment purchases, all of them have had graphic eq, including university auditoriums.
So I have been able to cope with just mix board EQ and graphic/parametric EQ for decades and ( so far ) gotten complements, and recommendations.
* I'll probably catch it from the satisfied Behringer users, but whatever works ( or doesn't
)
