Strapping Young Stu wrote:vlad335 wrote: I mean ZERO feedback no matter how loud we play. Whats the deal with that? Is this a charactoristic of horns?
Usually
I think its down to 3 factors
1) EQ - flat frequency response
2) Much better control of dispersion angles in the mid - high frequencies than you get with a reflex - more sound goes forward and less reflects off the side walls.
3) Narrow vertical dispersion means fewer reflections from the ceiling and floor.
That makes sense Stu. The lack of annoying feedback is a definate plus to this system. A charactoristic that isn't even touted here but none the less true.
The last band I was in the guitar player owned the system which consisted of eight 15+horns and six 18's and six poweramps. All EQ's set in a smily face. Feedback city! Ringing and squeling all night. It would get so bad that the soundman would just pull the mains way down by the second set and there you have it. Later, they bought Feedback Destroyers that basically killed the sound and they quit using them. At that time I knew more that the soundman and guitar player put together (I know a helluva lot more now, thanks to Bill and this forum) and kept trying to convince them to get an RTA. I don't think the DEQ was around at the time and RTA's were expensive. Still, two Behringer feedback destroyers are quite pricy especailly if you leave them home!
When I think back to this it brings a smile to my face. I'm using a portion of this gear and a 1/3rd of the power and it's louder and sounds 10 times better.
System looks great, I agree about painting or covering those X stands.
Ahh. everybodies dissing my X stands. I like them but now you guys are getting me thinking. OK. What would be the best way to paint them so it doesn't chip off in 2 shows? The red is plastic and the poles are aluminum. What about Duratex?
I hope to be able to post the same about my OT12s soon.
Stu
You will Sir. You will.