

hi there pulseman is there any chance you could post a photo of your deq settings for your main stacks and also what procedure you use for setting eq at your various gigs....regards..Frank leamyPulseMan wrote:Hi BoydBoyd wrote:'m curious about your design considerations for choosing the SLA-Pro as centre fill, compared to say, another Otop12 melded?
How does the SLA-Pro compare tonally to the Otop 12, and do you find you need to EQ it differently?
Thanks for the kind words.
Regarding your centre fill question, most people would recommend the OT12. I tried both and due to most of the shows I do, the crowds stand right up against the stage ramps and with the T48's under the stage, I found the SLA-Pro worked better (overall the system felt fuller and tighter to my ears being that close up to the cabs). When I built the SLA I added an extra section to the back of the box and added a plate amp to it, it has a HPF of 100hz built in too. I run it off a separate output on my DCX crossover and also through one of my DEQ's to fine tune the EQ a bit. Strangely enough the SLA's RTA EQ is pretty flat but when I tried the OT12 as centre fill it's RTA graph was all over the place.
PulseMan
Who cares about the kit? We want closeups88h88 wrote:He's got photos of the rack on facebook and it's genuinely hilarious how tiny it is to run all that kit.
Chris_Allen wrote:Good job PulseMan.
I think you've had enough fun, it's time to make your rig bigger!
allroundFX wrote:Do you still use the Synq amps?
Cause we had some trouble with them resulting in 6 blown drivers before we figured out it was the synq. It was hard to find cause the drivers blown all on the last hourof a gig of 10 or 16 hours. But during the last one I was monitoring the outputs with my engineer and all of a sudden without any indication or reason it went into clip and protection and blammo Silence from the subs. it was a real big WTF? moment. Never touched them again, and no more blown sub drivers.
|