

Look at the small light heads - e.g., Markbass, TC Electronic, etc. I know my next bass head will be the TC Classic 450. A little pricey-er(probably not a word) but way lighter. Lugging a Peavey combo now - no fun.JoeVictim wrote:... What would you do?
Greg Plouvier wrote:Look at the small light heads - e.g., Markbass, TC Electronic, etc. I know my next bass head will be the TC Classic 450. A little pricey-er(probably not a word) but way lighter. Lugging a Peavey combo now - no fun.JoeVictim wrote:... What would you do?
Carvin's spotty quality would concern me since you'd have no back up. I have three Carvin products 2 of the 3 has issues.JoeVictim wrote:$400 would be enough for a Carvin BX500 and there is a used B1500 used I could try for but the QC issues have me second guessing Carvin. I know all things are subject to QC issues but I would not have a backup. All advice welcomed. I've seen a Crown XLS-402D for about $170... What would you do?
Thats exactly what concerns me. I don't want to be stuck on a gig and blammo! I saw a BBE Bmax for $160 used. That with the Crown for $170 would definitely do the trick and be under my budget. The Markbass stuff looks cool too. Gotta move the gear first though...WB wrote:Carvin's spotty quality would concern me since you'd have no back up. I have three Carvin products 2 of the 3 has issues.JoeVictim wrote:$400 would be enough for a Carvin BX500 and there is a used B1500 used I could try for but the QC issues have me second guessing Carvin. I know all things are subject to QC issues but I would not have a backup. All advice welcomed. I've seen a Crown XLS-402D for about $170... What would you do?
1) A DCM2500, a great power amp that I keep as a potential backup to my Crown K2. It came from the factory with a cracked fan housing, but doesn't affect the amp in any way. Irks me nevertheless.
2) A BX500 that went into protect mode within 10 seconds at a rehearsal, brand new. Had my regular head with me, and never used the BX500 again.
3) A DCM150 which has been good, no problems.
That's because even the EQ is laughing at him for using a 20 band stereo EQ on a guitar rig.JoeVictim wrote: Guitarist just got his setup together today and his 20 band or so stereo eq has got the smiley face going..
I think you want to wipe that smiley off his EQ. The rising sliders in his lower bands sound great for guitar alone, but will fight you in the total band mix. He's plowing in your garden, get him to stay in his own would do the total band mix good.JoeVictim wrote:Guitarist just got his setup together today and his 20 band or so stereo eq has got the smiley face going. I think I want a frowny face.
+1/-1 ... bass guitar most commonly uses a pseudo-smiley EQ, depending on the sound you're after. Guitarists like to use a "scooped" EQ, too, but if it's "too scooped" it doesn't sit well in the mix and just sounds like mud. If he's using a "typical" guitar cab, it's more-than-likely only good down to about 150hz ... maybe 100hz at the most, so he's really not going to be stepping on your toes, especially if you customarily hold down a low pocket.AntonZ wrote:I think you want to wipe that smiley off his EQ. The rising sliders in his lower bands sound great for guitar alone, but will fight you in the total band mix. He's plowing in your garden, get him to stay in his own would do the total band mix good.JoeVictim wrote:Guitarist just got his setup together today and his 20 band or so stereo eq has got the smiley face going. I think I want a frowny face.
|