I don't see why running them on the one channel is a good idea otherwise you got almost everything you need right there.DJPhatman wrote:Using your Mackies at full range, and using your T39s below say 100Hz, is wrong, wrong, wrong! Having multiple sources of the same frequencies, in my example everything below 100Hz, will cause lots of cancellation nodes. Basically, you will be doing more "harm" to the sound than good. Run from the mixer into the crossover. Split the signal 100Hz and up to the Mackies, 100Hz and down to the T39s amp. Run both T39 on the same channel of the amp. Use the highest slope of crossover you have, 24dB/oct or 48dB/oct. Linkwitz/Riley is the preferred crossover type, and 48dB/octave is the preferred slope.
Billy beat me to it but yeah, you can't do it without a voltmeter. Relying on the clip lights of the amp is dodgy. Especially with no limiter. The amp is certainly powerful enough to blow your speakers if you let it.
If you trust the amp to put out the rated power at clipping and then wind on the limiting so a full noise sine signal out of your crossover won't light up the clip it's better than no limiting. It won't be near as loud as it could be.
Far be it for me to be educating anyone on how to set any limiter. However, I'm getting a little more familiar with the analog limiter that's coming my way soon and nobody else wants to stick their oar in so here's 5c worth: Presumably the same paramters are there in the dcx. Select hard knee, max (infinity) ratio (aka slope), fast attack and release, ie small numbers of milliseconds.
BTW. You can play with the limiter to your hearts content with the amp set to full power and no speakers plugged in. Get a voltmeter, RTFM, and then make some noise. You should be overrunning your tops easily and have to turn down the subs.