Chris_Allen wrote:Landl.livesound wrote:So then the people that do have the money to spend on the equipment are much, much more likely to know how to properly deploy, setup, tune, and align the system.
Unfortunately, that simply isn't true. Nearly all companies have resellers and some sales men will say anything to shift gear. There is absolutely no correllation between the knowledge of the operator, health and safety positioning requirements and the cost of the rig, mainly because all three are influenced and operated independantly.
Hey Chris,
You would be surprised that as you get to companies buying $100,000+ that the "signal to noise" ratio of people that know how to properly deploy, tune, align and use a FFT system to tune, align, and phase align a system starts going up. It is not perfect, but that is one reason why Meyer, d&b and such can help keep there high status. One reasons being they do there best to put themself in a market to sell to people who know what they are doing.
Think about it is this way: If we had bar level sound guys buying Meyer, d&B, etc, but they weren't as trained on how to deploy or didn't know even how to get a good sound out of them. (As a horrible engineer can make a great system sound bad, in the same way a great engineer can make a bad system sound good.) Well then you could end up with people say things like, "I heard that Meyer system and it wasn't that good." Or "I heard that d&b system and it sounded horrible, I won't ever let myself mix on a system like that if someone offers it."
Even though it isn't the system fault, it is the person that deployed, aligned, tuned, and/or mixed on it.
In the higher end touring industry it matters. That is why there are riders, so someone can say say they would like certain rigs because they know what to expect on them. When you have a turn-key d&b system they know what to expect. A lot less it left to chance with the proprietary processors and amps that d&b offers. And they know that there is a much better chance that someone who spends that much money on a system with hopefully know a little bit more than the usual bar sound guy of what to do with it. Then they can also say "No Versarray" because either they know if won't get loud enough for them, or they know that it is a more affordable line array that they may not know what to expect with it.
Again this is not perfect as I am sure you have heard plenty of bad sounding mixes on great rigs and vice-versa. But if I come into a gig with a d&b system I have a very good idea of what to expect which can be very important on tour.
Take Care!