Gonna list all the non amplifier hardware I have to sell in different posts to this thread, so remember to scroll down to see everything I have to offer. (that sounds bad)
I'd like to sell these together as a package: $1750 (will consider separating in February '25)
- Rack mount Midas M32C digital mixer with 2 expansion cards, USB expansion card for streaming 32 channels in/out of a computer, and the X-Live dual SD card recording expansion card) I'll have to look, I may have the original packaging for the M32C.
- Rack mount Midas DN4816-O 16 channel xlr output Interface. This unit is in it's original box which has been opened to verify contents. The unit itself is still in the factory sealed (taped) plastic bag. Never removed from bag, never plugged in, never racked. Essentially brand new in an opened box.
-Behringer SD16 I/O Stage box including the matching protective Gator Bag. I sold a rackable 32 input unit and bought this one instead. For the types of gigs I do, having a small stage box on stage is just easier than having to run all cabling offstage to the rack. Less pack space and less weight overall. I bought this one, used it once in the garage while testing something else, and unfortunately haven't had the opportunity to use it since then. Essentially brand new and flawless. The Gator bag even still has it's tags attached and in good shape.
In purchasing components for my Gig Rig, one of the most important desires was to keep it as compact and as easy to stow, transport, and deploy as possible. This system provides 16 inputs (upgradeable to 32 with the addition of another stage box) and 16 outputs with all the same functionality of a full size 32 channel console, yet it only takes up only 2RU and a small over shoulder tote bag. Rack the two rackable units with your amplifiers and when you get to the gig all you have to do is put the stage box on stage (I'n the past and a different stage box (XR18), I've put a yellow sticky note instructing the musicians which input to use and let them set them selves up) and run the appropriate CAT cable from the stage box to the amp rack, which could be up to 300 feet away.
With one of the 8 channel amplifiers I have for sale in another thread, you'd utilize only four RU and be able to have enough inputs for a fully mic'd drum set, Bass, 2 guitars, keys, 4 vocal mics, and still be able to mic a 3 piece brass section. You'd have enough busses AND outputs for two independent fully pan-able main outputs, a subs on aux output, four independent stage monitor mixes, still have enough busses and outputs left for four independent stereo IEM mixes and outputs, and even have one spare output left unused. You'd have enough DSP power built into the amplifier to fully sculpt and customize every single stage monitor mix, each top, and the subwoofer independently and enough amplifier channels and power to run it all in a small to medium venue... And it would all fit nicely in a handy rolling 4RU case and a small over shoulder bag. Both could easily fit in the passenger seat of a car.
Get to the venue, toss the bag on your shoulder, and effortlessly wheel in a 4RU roller rack inside. Go grab your speakers and set them up. Connect 7 speaker wires, 2 power wires, and the CAT cable and you're ready to sound check (assuming the band members set them selves up). The above used with a pair of DR200's, a single T39/48, and four WH6/8's would match up quite well for a small to medium venue. Larger venue's? Double up the DR's, add second roller rack with enough DSP and amplifier to power 3 more subs, and handily take care of nearly any venue, indoors or out, short of the Main Stage at the State Fair. Two small manageable roller racks and a hand bag.
Fully functional and capable while hitting my goal of being compact, easy to stow, transport, and deploy.