Sensitivity

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Bill Fitzmaurice
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Re: Sensitivity

#16 Post by Bill Fitzmaurice »

Charles Warwick wrote: Ah, is the term I'm looking for DC converter or a step-up converter? I really don't know much about how most electronics work so :noob:
There's a few ways of boosting the operating voltage, but they all add cost. The beauty of a 12v DC (14.4v actually) supply is that you don't need a power supply per se. The least expensive method to deliver high power is to use a lot of output transistors in parallel, allowing a lot of current delivery, but the load impedance has to be very low to get high power at low voltage.

iamlowsound
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Re: Sensitivity

#17 Post by iamlowsound »

CoronaOperator wrote:
byacey wrote:In the early days of car audio before switching supplies and inverters, nominal 12 volts was the operating rail voltage available for the power amps; actually around 14.1 with the engine running.

This means with a non-bridged complimentary output topology you could realize a whopping 8.9W RMS across an 8 ohm load, or 17.98W if you had a 4 ohm speaker available.
Still holds true today for modern Head Units. Regardless of what the box says your aftermarket HU only puts out ~12.5 watts RMS/channel give or take depending on how much THD you want in your measurement.
byacey wrote:In the real world though, how much volume do you really need in a car?
You need all that power so you can hear those 83dB/W speakers talked about in the beginning of the thread :loler: . Seriously though you ideally would want at least 20 dB above the noise floor of your vehicle. Loud car on highway would need a louder system to overcome road noise.
byacey wrote: It's not like it's the ideal listening environment for high quality audio.
Totally disagree if its done right. Car audio is the one place where I can guarantee the listeners ears to within a few inches. Time aligning each driver to the millisecond and balancing 28 bands of left/right EQ not only for tonal balance but for left/right positioning can make for a near perfect soundstage. Hearing your favorite tunes with the band at eye level and spread left/right across the hood of the car as they are on stage is as awesome as your first time at a concert with decent seats.
Bill Fitzmaurice wrote:IME the level in dB is inversely proportional to the IQ of the driver. :loler:
Uh Oh :shock: . My system goes to 128dB @ 50hz and I still use tube driven preamps :oops: . I however blame the designer of the sub box for that :owned:
I have always wanted to put a MiniDSP into a stock car audio environment and put it into a SQ competition; just to see what happens.

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byacey
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Re: Sensitivity

#18 Post by byacey »

CoronaOperator wrote:
You need all that power so you can hear those 83dB/W speakers talked about in the beginning of the thread :loler: . Seriously though you ideally would want at least 20 dB above the noise floor of your vehicle. Loud car on highway would need a louder system to overcome road noise.

Totally disagree if its done right. Car audio is the one place where I can guarantee the listeners ears to within a few inches. Time aligning each driver to the millisecond and balancing 28 bands of left/right EQ not only for tonal balance but for left/right positioning can make for a near perfect soundstage. Hearing your favorite tunes with the band at eye level and spread left/right across the hood of the car as they are on stage is as awesome as your first time at a concert with decent seats.
Speaking from a recording engineering standpoint, there are too many things working against the quest for a quality listening environment. High ambient noise levels, too many reflective surfaces, especially concerning HF, and non-ideal speaker placement due to physical constraints, to name a few.

I'm not saying that I don't enjoy listening to music in my vehicle, just that I don't ever expect to hear the same way I hear in the control room of the studio.

83db/watt @1m is a pretty inefficient speaker. Is that anything modern? It sounds more akin to a load resistor.
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