Sitting Room Build: Jack 12 Lite

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Grant Bunter
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Re: Sitting Room Build: Jack 12 Lite

#106 Post by Grant Bunter »

escapemcp wrote:
Grant Bunter wrote:One thing often not considered: Delaying the whole FOH to back line.
Say you're playing on a 20 foot deep stage, with FOH at the front of stage.
You could delay the whole FOH by say 20ms so that there is no backline/FOH missmatch.
I thought that it's "you should (no, MUST) delay the whole FOH my 20ms"?? I'm only regurgitating what others have said though... no practical experience :(
Should, must, could lol.

Honestly, there's so many people out there operating PA without delaying as described, that in that given situation, more often than not, the muso's in the band have never or rarely been in the situation where FOH has been matched to backline!

So perhaps it's better to say, "If you have the capacity to delay, why not use it".
Still, it's roundabouts and swings. It takes longer to set up on a venue to venue basis to delay cabs +/- cabs to backline.
If you're a full time soundguy, spending the time doing all the little extra things might make the difference to get more work, compared to your local competitors.
But as the PA guy in a working band, one might be inclined to not worry about it that much.

20ms is an incredibly short period of time...
Built:
DR 250: x 2 melded array, 2x CD horn, March 2012 plans.
T39's: 4 x 20" KL3010LF , 2 x 28" 3012LF.
WH8: x 6 with melded array wired series/parallel.
Bunter's Audio and Lighting "like"s would be most appreciated...

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Bill Fitzmaurice
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Re: Sitting Room Build: Jack 12 Lite

#107 Post by Bill Fitzmaurice »

Grant Bunter wrote: 20ms is an incredibly short period of time...
In the low frequencies 20ms is of no consequence, so you wouldn't worry about it with the subs. In the midrange it's a very different story.
In 1935, when the movie 'Broadway Melody of 1936' was released, Eleanor Powell's tap dancing could be heard as distinct double hits, the first from the low frequency direct radiators, the second from the high frequency horn. The crossover between the two was 500Hz, the delay between the two about 15ms. As a result of this the speakers in every major theater in the US had to be replaced, as there was no such thing as electronic delay.
So if you do have the ability to delay the mains to the backline, do so. Delaying the subs as well is best if you can, but it's the midrange where even 5ms arrival differentials can be heard.

ripNdeb
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Re: Sitting Room Build: Jack 12 Lite

#108 Post by ripNdeb »

That's so interesting. So, if you had tops on top of subs - I know this sucks - is a delay of 7 or 8 ms in the tops, because of the horn path of the subs, worth the bother (one pair T39s and one pair OTop12s)
2X OTop 112, 3012HO, melded - 2X T39, 27", Lab 12 - XF 212 - 4 DR250, 2 melded, 2 straight
2 20" T39 3012LF - WH10 - WH8 - in the shop - 2 more 20" T39s
http://saltandlighteureka.org still need a trailer :)

Bruce Weldy
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Re: Sitting Room Build: Jack 12 Lite

#109 Post by Bruce Weldy »

ripNdeb wrote:That's so interesting. So, if you had tops on top of subs - I know this sucks - is a delay of 7 or 8 ms in the tops, because of the horn path of the subs, worth the bother (one pair T39s and one pair OTop12s)

Delay 'em 7. That will take care of the horn path and in most cases the backline on a small stage.

6 - T39 3012LF
4 - OT12 2512
1 - T24
1 - SLA Pro
2 - XF210


"A system with a few knobs set up by someone who knows what they are doing is always better than one with a lot of knobs set up by someone who doesn't."

HugoMack
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Re: Sitting Room Build: Jack 12 Lite

#110 Post by HugoMack »

Would that also fit with just Jack 12 Lites on their own - to fit with the drums and backline?
Hugh McManners
2x Jack 12 Lite 3012HOs, Matrix GT800. DBX PA2 Next 20 inch T39's with 3012's (LF). Sound reinforcement, then projection. FRFR. Love huge PAs, but at that stage in life when technology needs to make things easier (as in lighter!)

Bruce Weldy
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Re: Sitting Room Build: Jack 12 Lite

#111 Post by Bruce Weldy »

HugoMack wrote:Would that also fit with just Jack 12 Lites on their own - to fit with the drums and backline?
yes

6 - T39 3012LF
4 - OT12 2512
1 - T24
1 - SLA Pro
2 - XF210


"A system with a few knobs set up by someone who knows what they are doing is always better than one with a lot of knobs set up by someone who doesn't."

Grant Bunter
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Re: Sitting Room Build: Jack 12 Lite

#112 Post by Grant Bunter »

So where does that take us with vocals?
Since, they are somewhere not far behind FOH, but ahead of backline in stage positioning?
Built:
DR 250: x 2 melded array, 2x CD horn, March 2012 plans.
T39's: 4 x 20" KL3010LF , 2 x 28" 3012LF.
WH8: x 6 with melded array wired series/parallel.
Bunter's Audio and Lighting "like"s would be most appreciated...

Bruce Weldy
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Joined: Fri Nov 27, 2009 11:37 am
Location: New Braunfels, TX

Re: Sitting Room Build: Jack 12 Lite

#113 Post by Bruce Weldy »

Grant Bunter wrote:So where does that take us with vocals?
Since, they are somewhere not far behind FOH, but ahead of backline in stage positioning?

Only an issue if you sing loud enough to be heard over the PA.....I've been accused of that, but not a problem 99.99999999% of the time. If it is a problem....you probably don't need a PA anyway. :mrgreen:

6 - T39 3012LF
4 - OT12 2512
1 - T24
1 - SLA Pro
2 - XF210


"A system with a few knobs set up by someone who knows what they are doing is always better than one with a lot of knobs set up by someone who doesn't."

Grant Bunter
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Joined: Mon Nov 28, 2011 11:12 am
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Re: Sitting Room Build: Jack 12 Lite

#114 Post by Grant Bunter »

Bruce Weldy wrote:
Grant Bunter wrote:So where does that take us with vocals?
Since, they are somewhere not far behind FOH, but ahead of backline in stage positioning?

Only an issue if you sing loud enough to be heard over the PA.....I've been accused of that, but not a problem 99.99999999% of the time. If it is a problem....you probably don't need a PA anyway. :mrgreen:
Cheers Bruce.
Appreciated!

Might be time to think delaying through a tad more...
Built:
DR 250: x 2 melded array, 2x CD horn, March 2012 plans.
T39's: 4 x 20" KL3010LF , 2 x 28" 3012LF.
WH8: x 6 with melded array wired series/parallel.
Bunter's Audio and Lighting "like"s would be most appreciated...

Bruce Weldy
Posts: 8539
Joined: Fri Nov 27, 2009 11:37 am
Location: New Braunfels, TX

Re: Sitting Room Build: Jack 12 Lite

#115 Post by Bruce Weldy »

Grant Bunter wrote:
Bruce Weldy wrote:
Grant Bunter wrote:So where does that take us with vocals?
Since, they are somewhere not far behind FOH, but ahead of backline in stage positioning?

Only an issue if you sing loud enough to be heard over the PA.....I've been accused of that, but not a problem 99.99999999% of the time. If it is a problem....you probably don't need a PA anyway. :mrgreen:
Cheers Bruce.
Appreciated!

Might be time to think delaying through a tad more...

Remember, what you are trying to line up are sources that you hear. In a large setting where the PA is really loud or the stage is really soft - it's not as much of an issue.....except for the folks hanging at the front of the stage, but they aren't hearing the PA anyway.

6 - T39 3012LF
4 - OT12 2512
1 - T24
1 - SLA Pro
2 - XF210


"A system with a few knobs set up by someone who knows what they are doing is always better than one with a lot of knobs set up by someone who doesn't."

HugoMack
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Re: Sitting Room Build: Jack 12 Lite

#116 Post by HugoMack »

Hah!!! I've persuaded the PA2 to come online in the WAN. Programmed the router and changed the cables round... It was probably just switching the output I used from the router. So it's all working.

It operates through my laptop and iPhone quite painlessly. So I've now got to translate all the wisdom I'm gleaning here, into some patches.

I'm still hazy on setting the limiter and compression.

It may be that there are several different approaches. The one that makes sense (to me) for the limiter is to adjust gain stages in the correct order to just below clipping - which usually leaves the power amp at around 2 o'clock to prevent surges clipping the amp. This is recommended in the PA2 manual - calibrated so everything clips at the same point - using pink noise. The PA2 manual says to turn on the limiter and lower the threshold parameter until just below the clip level of relevant power amp channel.

LAb 12 voltage limit is 55 volts - & no limits quoted in the Jack 12 Lite instructions. Apart from measuring the voltage output of the power amp channels feeding each speaker, then inferring what the threshold parameter should be to match this, is there any other way that I've overlooked for setting these limits? (I know only what I'm reading-up regarding getting the PA 2 into action here. It may be that there are better ways of doing this - which I've discovered is the speciality of this Forum ;-)

Or have I overlooked the critical FAQ that explains all this?
Hugh McManners
2x Jack 12 Lite 3012HOs, Matrix GT800. DBX PA2 Next 20 inch T39's with 3012's (LF). Sound reinforcement, then projection. FRFR. Love huge PAs, but at that stage in life when technology needs to make things easier (as in lighter!)

HugoMack
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Re: Sitting Room Build: Jack 12 Lite

#117 Post by HugoMack »

[quote=Remember, what you are trying to line up are sources that you hear. In a large setting where the PA is really loud or the stage is really soft - it's not as much of an issue.....except for the folks hanging at the front of the stage, but they aren't hearing the PA anyway.[/quote]

Sounds to me like it's at small venues where this is most critical? Where you can hear the kick and its reinforced "thwack" through the FOH - and probably also through the drummers wedge. At bigger venues you hear stage sound in the first few rows, then just FOH. I suppose that staggering FOH arrays back into the audience (and delaying the front ones) is another order of delay - requiring more advanced gear?
Hugh McManners
2x Jack 12 Lite 3012HOs, Matrix GT800. DBX PA2 Next 20 inch T39's with 3012's (LF). Sound reinforcement, then projection. FRFR. Love huge PAs, but at that stage in life when technology needs to make things easier (as in lighter!)

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escapemcp
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Re: Sitting Room Build: Jack 12 Lite

#118 Post by escapemcp »

HugoMack wrote:It may be that there are several different approaches. The one that makes sense (to me) for the limiter is to adjust gain stages in the correct order to just below clipping - which usually leaves the power amp at around 2 o'clock to prevent surges clipping the amp. This is recommended in the PA2 manual - calibrated so everything clips at the same point - using pink noise. The PA2 manual says to turn on the limiter and lower the threshold parameter until just below the clip level of relevant power amp channel.
Yeah, that makes sense - until some twat (and there are plenty of those about) decides to 'tweak' the volume by turning up your amps = instant blown subs. What you describe IS the best for signal to noise ratio and you will see it recommended on a lot of 'other' sites. It is not the best (at all) for protection though - and horns need FAR MORE protection than reflex subs - you cannot hear horns distorting before they blow, you can hear reflex subs though. This is why the method you mentioned is peddled on most other sites, but it doesn't work for us here. As such, we take a small hit on the SQ in order to protect our subs. If you can lock away your volume controls, then you could use the approach you mentioned, but if you ever knock the dials, you'd have to get the voltmeter on the terminals again to see where the volumes should be - but what if you knock them without knowing :confused: .

Instead of using the dials on your amp (which are only attenuators anyway - they do not amplify), use the limiter on the Driverack to attenuate the signal instead of the amp's volume controls - you are therefore only dealing with a weaker (less voltage) signal from the driverack to the amps, rather than from the amp volumes to the amplification circuitry proper, so it's not much more circuitry for the 'weak'(er) signal to run through (it's still a strong signal though!!). Using this method, the increase in SNR (signal/noise ratio) is minimal (you are using XLRs, right?? ;) ) and you get total protection for your subs. The other method will work, but the scenario where the volumes get turned up cannot be overlooked, your subs are only protected when the volume dials are at the position (or lower) which they were at when you set the limiters.
LAb 12 voltage limit is 55 volts - & no limits quoted in the Jack 12 Lite instructions.
There are no limits on most of Bill's tops... this is because you can hear when the tops are overloading... if they sound shit, turn it down!! This is the same approach that the peddlers of your method use to protect their speakers, but I bet they get the odd blown speaker because they were too drunk/high to notice the speaker pleading loudly to be saved.
Apart from measuring the voltage output of the power amp channels feeding each speaker, then inferring what the threshold parameter should be to match this, is there any other way that I've overlooked for setting these limits? (I know only what I'm reading-up regarding getting the PA 2 into action here. It may be that there are better ways of doing this - which I've discovered is the speciality of this Forum ;-)
That's pretty well much it... check that when you ramp up the volume on your mixer/desk, the voltage at the speaker terminals does not increase, then you can infer that this same scenario will happen when you have the (expensive) drivers attached and thus they are safe. This is assuming that the volumes are all the way up (I've already explained the negatives if you don't adopt this approach).

If you are really determined though (don't say we didn't tell you if you blow 'em!! ;) ): You could set the volume dials at 2pm, and then remove the dials (will void warranty!) if you really want to keep that extra few dB of SNR, but it really isn't worth it. And if you remove the dials, you need to be SURE that some fkr cannot get a screwdriver in there to turn them up... people will try - so be careful!!! Your volume knob disabling would need to be foolproof (AND BOFFINPROOF also!!)

Hope that all makes sense and explains why you have come across the other method and why it's not recommended here (more like actively discouraged!!). Any more questions, fire away :)

HugoMack
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Re: Sitting Room Build: Jack 12 Lite

#119 Post by HugoMack »

Thanks Escape. That's totally nailed it for me. Your explanation very clear!

I wonder if there is a global voltage limitation for Jack 12 Lites? I have a pub-cum-cocktail bat 100 metres away from my house which wants me to provide regular sound. It's possible I may take the odd cocktail - not having to drive home.... A failsafe limit could be a Good Thing...
Hugh McManners
2x Jack 12 Lite 3012HOs, Matrix GT800. DBX PA2 Next 20 inch T39's with 3012's (LF). Sound reinforcement, then projection. FRFR. Love huge PAs, but at that stage in life when technology needs to make things easier (as in lighter!)

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Tom Smit
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Re: Sitting Room Build: Jack 12 Lite

#120 Post by Tom Smit »

Using this site http://www.the12volt.com/ohm/ohmslawcal ... .asp#power I found that inputting 400 watts at 8 ohms equals 56 volts. Therefore, if you want some protection without being barely quieter, set the Jack limit to 50 volts. I really doubt you'll ever get it to that level unless you wanted louder at your home while listening to the music at the pub. :wink:
TomS

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