I originally bought my XM8500s for a couple of extra channels at church, for when some large group sings (8 people) that's not quite large enough to put in the choir and group mic.bgavin wrote:I'm willing to use $20 mics for cattle herd shows.BrentEvans wrote:You won't be sorry.
I just cringe when I think of some clod knocking over one of my OM6.
Behringer's first and foremost reputation is for theft of intellectual property.
Reliability concerns come after that. Some boxes work better than others.. I'll take a chance here.
I might take a chance on repairing one of their DSP if I can steal a dead one for cheap.
It would be worth an evening or two doing board repairs, if I could get a reliable, and working unit.
The next day I went back and bought 3 more to replace all the Sennheiser 815s (a baby 835). I like Audix stuff too, but these are the most transparent mics I've ever used. They're really close to a 58, without the mud. You'll be pleasantly suprised.
As far as big-time gigs, sure, there is better stuff out there, and it should be used. I don't think you could buy a better sounding vocal mic than this one for less than $150, though. My 815s, EV 257s, and AKGD880 are relegated to backup and instrument duty. Behringer may have a bad rep, but they either hit it or they don't (more often than not in recent years, it's been hits) and this is one of the better ones.