CoronaOperator wrote: ↑Sun Sep 08, 2019 3:27 am
Apart from the above that was mentioned, one thing I do is run aux fed subs. My main mixer outs go to my driverack and only go to my tops. Any channel I want in the subs I set up an aux out and that goes to a third input on my driverack (dbx360) and that then goes to my subs. That allows me to pick and choose which channels gets sub support - usually kick, bass, keys, floor tom and break music. Where this differs from a normal highpass is that a mixers highpass is usually 12 db/octave where by aux fed subs the slope is infinite, if I don't put a channel in the sub aux, nothing from that channel will every make it to the subs. The other way, even if you highpass every channel, with 14 open mics on stage, you will be getting bass from stagewash into the subs as a highpass is a slope, not a cliff.
This also allows me to adjust how much of that channel to feed the subs, if a bass has too much low end I can dial back that channel in the sub aux out rather than use an eq on that channel. I can also adjust the subs overall output from the mixer rather than from the driverack which is useful when you are playing in different venues with different setups.
AuxFedMainGraphicLayout.jpg
So, I've rolled this around and digested it quite a bit. I've read about aux fed subs a bunch of times before, but you put it in a way that's a little different than I've heard before and I like it. I can better relate to it.
What I'm hearing from you is, it's a great way to eliminate unneeded LF content that could otherwise muddy up the low end from the subs altogether.
What I'd read in the past... or understood from what I read in the past, is it's a great way to add more thump as needed. Bass on demand.
My mixer (M32C) has a Main LR mix Bus and a separate Mono/Center bus and can do exactly what you're saying without using up an aux bus. And I can have the levels on the "aux" channel be dependent on the level in the main mix and maintain the integrity of the balance of harmonics between the subs and tops as the levels are adjusted throughout the show.
One thing I had worried about is, I like to record the shows I do. I'd worried it may effect the recordings. But, on further thought, if I just record LR out it will have an intact signal being as it's prior to any outboard EQ and Crossovers.
I'm for sure going to give this strategy a go next opportunity I have. Thanks again CO