The bit in bold is the EXACT reason I started building Bill's cabs. A great sounding venue is truly rare, my local 'big' club is just awful sounding. So I accidentally stumbled on this site, looked the designs over and said to a friend "do you wanna try making these?" he said yes and 9 cabs down the road we're very happy with the sound quality. My aim was to have it sound like a hugely powerful hi-fi setup and it's done that with ease. It's actually surpassed my hi-fi setup in terms of quality and clarity which in some of the rooms it's been played in is massively impressive.Charles Jenkinson wrote:88, you definitely have a way with words,
It is staggering to see rafts of DJ's, with pride in how much legit material they've got and how much (little or a lot) they've paid for gear and then to have little idea of whether it sounds any good. Me, I just had a hunch what I'd previously heard, PA wise, was not that great, because I'd heard better hi-fi sound quality, even with relatively inexpensive home separates.
The only thing i can suggest is that folks just keep preaching the Bill Fitzmaurice gospel. As the good book says: "But how can they call on him to save them unless they believe in him? And how can they believe in him if they have never heard about him? And how can they hear about him unless someone tells them?"
Truly good news.
Next event is a week Friday, Moxie is coming to play and she wants "lots of bass" but the thing is we can supply that at silly volumes AND still have it sound amazing across the board.