BillFitzmaurice.info

Top 8s along with a T39 would put most clubs to shame.

Looks good, if there's enough clearance to fit the HF driver.

You can use them for this, but I wouldn't. Separate subs and mains work better, as it allows optimal placement of each, which is almost never in the same place.

Knowledge is like good food and drink, it's best when shared.

You don't need high tech to see the room response, just a phone. Use C weighting, slow response. https://play.google.com/store/apps/deta ... n_US&pli=1

You need a board with EQ on every channel. The female voice is most prominent from 500-1000 Hz, as is our hearing sensitivity, so bumping her channel there will bring her up in the mix, with perhaps some boost around 3 kHz. Cutting the guitar in those same frequencies will help as well.

You can do that. I didn't bother as the somewhat higher sensitivity and wider dispersion tends to be not an issue when used as a floor wedge.

They have response close enough that it wouldn't be an issue.

The 2+/2- are there to allow running a single 4 conductor cable to the subs from the amps, and then run cables from the subs to the mains, with the mains using 2+/2-.

No difference, they're parallel wired.

I didn't mention it before but there is another reason for not turning everything on at once. Every device has a high current surge at turn on, until the filter caps charge up. Individually it's not a concern, but with multiple devices it can be enough to pop the supply breaker. Since power amps hav...

Yes to all.

Try reversing the polarity of the tweeters, that may fix the dip.

You can use it in both applications with either configuration. The difference is width of the dispersion angle.

You'd need a power strip that will sequentially turn on/off the components, with the power amps last to go on, first to go off. If such a thing exists I'm not aware of it. Making sure everything is working is what sound checks are for.